Patrick W.
Costello
(1866-1935)
Master Engrosser, Illuminator and Penman
Click HERE to view the PW Costello Galleries
The Early Years
Patrick William Costello was
born on March 11, 1866 in the Minooka section of Scranton, Pennsylvania in the
heart of the Anthracite Coal Region. He was the only son of William and Bridget
Langan Costello, Irish immigrants from County Mayo. Bridget died when Patrick
was only two years old. His father, a coal miner, decided to take his young son
to Birmingham, England, a move likely motivated by a series of strikes in the
Scranton mining industry and the need to find work. In 1877, when Patrick was
eleven, they returned to Scranton and for the next two years he worked picking
slate at the Bellevue Coal Breaker, located along the Lackawanna River, only a
few miles from where he was born.
In the late 1800s, Scranton’s
economy was driven by the coal, steel and railroad industries. A coal miner
could only earn an average of $375 a year, so a family’s desperate need for
additional income forced young boys like Patrick, many only 9 or 10 years old,
to leave school and work in the mines as breaker boys.
The Breaker Boys
Slate picking was a dirty, exhausting job separating
chunks of slate and rock from coal. Boys were not allowed to wear gloves, so
12-hour days handling sulphur-covered rock left their fingers red-raw, cracked
and bleeding ("red tops" they called them), for a meager four cents
an hour. They labored six days a week under harsh conditions. The mines and
breakers were cold during the winter, hot in the summer, and the air was thick
with coal dust which filled their lungs and decreased visibility. They were
subjected to the constant deafening roar of coal being crushed and separated by
machines at the top of the breaker. It was then dumped onto metal chutes that
slowly guided the coal in the direction of the breaker boys, who sat below on
pine boards and bent down to remove all foreign material by hand as the coal
passed beneath them. A chute boss stood by with stick in hand, ready to punish
any boy caught talking or slacking off. Several decades passed before Congress
finally legislated enforceable Child Labor Laws designed to prevent the
exploitation of children by industry.
It is likely that Patrick
attended grade school during those formative years when he lived in England.
Perhaps it was the encouragement of a teacher, together with his exposure to
British culture that led to his discovery of an innate talent for art. Upon his
return to Scranton, Patrick devoted the limited free hours he had at home to
the practice of lettering and penmanship. A grandson of Patrick’s, who lived
with him just prior to his death, recalls hearing that, as a boy, he used to
sketch drawings on slabs of slate that he found near the mines. It is believed
that he had no formal training in art, except for a few lessons from W.E.
Dennis in 1903, about thirteen years after he had established a small
engrossing business in Scranton.
Venture into Politics
When Patrick was in his late
teens, he worked as a clerk in Millett’s neighborhood grocery store in
Bellevue. There he mixed with all kinds of people and easily won them over with
his affable, easy-going personality. Those social skills served him well when
he decided, as an ambitious 19-year old, to venture into local politics.
In 1886, he secured a position
as a clerk for the City Treasurer. When the Treasurer’s term ended six months
later, Costello was appointed office clerk for the City Engineer, where he
remained for the next nine years. These positions afforded him the opportunity,
in his spare time, to practice lettering and engrossing. He also began to
refine a distinctive cross-hatch style he used to sketch portraits, a technique
that in subsequent years became a trademark and earned him widespread renown as
a master illustrator.
Costello won his first elected
political position in 1896 as Auditor of Lackawanna County and was re-elected
to a second term three years later. In 1901, he ran for County Controller and
lost a controversial, hard-fought contest by only eleven votes. The following
year, 1902, he was elected City Controller in Scranton and served one term. As
a public official, Costello earned a reputation as a man of conscience, loyalty
and unwavering integrity. During his administration as City Controller, he was
instrumental in uncovering misuse of public funds by city departments, leading
to an investigation and several convictions.
In 1906, the Governor of PA selected Costello to be a Democratic member
of the first board of registration commissioners in Scranton, a position to which
he was later reappointed.
Influence of CP Zaner
Charles Paxton Zaner (1864-1918)
It wasn’t long before the
quality of his engrossing work began to attract the attention of professional
penmen throughout the country, including Charles Paxton Zaner, founder of the Zanerian College of
Penmanship in Columbus, Ohio, and also a native of the PA coal region. He
traveled to Scranton to meet with Costello and to see his work firsthand. Zaner
is reported to have asked, “Why, do you mean to tell me that you have never
gone to an art school?”- to which Costello replied: “No sir. Just picked it up
myself.” The Master Penman was so amazed by the quality of Costello’s pen work
that he strongly encouraged him to leave politics and devote his time entirely
to a career in engrossing.
Costello heeded Zaner’s advice,
finished out his term as City Controller and began to focus his undivided
attention on developing his engrossing skills and small business located in
downtown Scranton. His first engrossing job brought him $25.00 and marked the
beginning of a remarkable career, one that ultimately earned him the lasting
respect and admiration of his professional peers, the rare distinction of
Master Penman, and produced an impressive body of work that continues to
educate and inspire successive generations of young artists.
Costello and Zaner became
life-long friends and shared a strong commitment to the education of young
penmen, certainly reasons why Costello frequently contributed his work for
publication in The Business Educator. During one of Zaner’s trips to Scranton,
Costello introduced him to a close friend named George Howell, the Superintendent
of Schools, a meeting that led to the establishment of the Zaner-Bloser
penmanship program in the Scranton Public Schools. Several days later, Howell
told Costello that Zaner “demonstrated to me that he thoroughly knew his
penmanship.”
Family &
Community
In September, 1890, PW Costello
married Mary Agnes Mahon, also a Bellevue resident, and together they raised
eight children, including three sons who also became accomplished artists.
Mary Agnes
Mahon
William Costello was a
commercial sign painter who ran his own business in downtown Scranton for many
years. He also lettered diplomas for many local high schools and colleges.
William ‘Bill’
Costello
Jerry Costello worked as a cartoonist for several
newspapers between 1915 and 1921, including, Scranton Daily News, Scranton
Republican, Philadelphia Press, Newark Star Eagle and New York
Herald. From 1922-62, he was an editorial cartoonist for The
Knickerbocker News in Albany, NY. He was syndicated by the Gannett Corporation
and his cartoons appeared in many of their papers nationally. He created three
cartoon comic strips in the 1920s & 30s, was a pioneer in animated movie
cartooning, and authored a pictorial book on the life of Al Smith, former
Governor of New York.
Jerry Costello
Joseph Costello was trained as
an engrosser by his father and joined him in his Scranton engrossing business
after graduating from St. Thomas College in 1924.
Joseph
Costello
Not only was PW's art talent
passed on to his three sons, it also re-emerged in the form of cartooning in
the hands of his great-great-grandson, Bill Costello. Bill, a former nationally
syndicated editorial cartoonist, published in over 600 periodicals, has won
numerous awards for his work, written three books that teach children how to
draw, produced an instructional television series for children that aired on
PBS, and earned an M.S. in Elementary Education. Thus, PW's genetic legacy
includes not only artistic talent, but also a penchant for educating others.
Bill Costello
Throughout his lifetime, PW Costello was very active in his
local community and was one of the founders and first elected officers of the Irish
American Society of Lackawanna County, later called the Friendly Sons of St.
Patrick. To this day, the Friendly Sons sponsor Scranton’s annual St. Patrick’s
Day Parade, one of the largest in the U.S., and a formal dinner that
consistently draws dignitaries from all over the country and crowds exceeding
one-thousand. Costello's name has been listed in the front of every dinner
program since 1906. It's likely that he engrossed the cover art on many of
them.
In the late 1890s, as Costello was busy establishing his
reputation as a highly-skilled engrosser, he also co-owned a popular downtown
restaurant, Costello & Fleming’s Arbor Café, located in the heart of
Scranton’s theater district, only a few doors from his engrossing studio. While
he made his living as an engrosser, he was also famous for his sketches of
local and national figures that lined the walls of his restaurant. The Arbor
Café became a favorite gathering place for stage stars and other celebrities
who would occasionally sit for his portraits. Most of the portraits were drawn
from photographs; many were autographed by his subjects.
Later in his life, Costello
returned to the restaurant business as co-owner of the Oak Café in Scranton,
where framed portraits of many of the following figures were again prominently
displayed: (Presidents) George Washington, Abraham Lincoln, James Monroe,
William McKinley, Grover Cleveland, William Taft & Theodore Roosevelt;
(Writers and Poets) Mark Twain, Walt Whitman, William Shakespeare, Henry
Wadsworth Longfellow, Ralph Waldo Emerson, Nathaniel Hawthorne, Edgar Allan
Poe, John Greenleaf Whittier; (Supreme Court Justices) Oliver Wendell Holmes,
Charles Evans Hughes; (Secretary of State, Orator) William Jennings Bryan;
(Humorist, Columnist) Will Rogers; (Actors) Tyrone Power, Lily Langtry, Ellen
Terry, Maude Adams, Joseph Jefferson, Julia Marlowe, Laura Keene, Junius Brutus
Booth, Edwin Booth, Alexander Salvini, Lynn Fontanne, Otis Skinner, John Drew,
Lionel & John Barrymore.
In July, 1918, PW Costello’s
beloved wife, Aggie, died at the age of 50. At the time, two of their children
were on their own. Four daughters and two sons, ranging in age from 10 to 25
years, were still living at home.
PW and his wife were able to
raise a large family, unlike many other penmen of his era who chose not to have
children due to the enormous time demands and focused dedication the profession
required. In addition, PW built a productive engrossing business, managed a
busy restaurant and stayed active in community affairs. It was a remarkable
accomplishment for one in his profession.
Following his
wife’s death, PW had to single-handedly care for six children (he never
remarried), while maintaining his commitment to his work and the community.
Judging by the volume and quality of the engrossings he produced between 1919
and 1930 (the year his health began to deteriorate), and by the success of his
children as parents, educators and artists, he managed to handle all of it
exceptionally well.
Even in his
later years, Costello continued to stay active in the Democratic Party as a
city and county committee member from his local ward in East Scranton. He loved
baseball and was a big supporter of Scranton’s minor league team. His passion
for the sport was reflected in some of his drawings and engrossings that
commemorated professional players from his day, including, Ty Cobb, the
legendary center-fielder for the Detroit Tigers; Connie Mack, the owner of the
Philadelphia Athletics; Honus Wagner, Hall of Fame shortstop for the Pittsburgh
Pirates; Stanley R. Harris, from Pittston, PA, Player-Manager of the Washington
Nationals and hero of the 1924 World Series; and Stephen F. O’Neill, also a
native of Minooka and former breaker boy, who went on to become an outstanding
catcher and manager in the American League. O’Neill was part of two World
Series champions: first, in 1920, as a player with the Cleveland Indians, when
he hit .333 for the Series, and again in 1945, as manager of the Detroit
Tigers.
PW Costello
& The Art of Engrossing – by Del Tysdal
Engrossing by
PW Costello 1924
Mr. Costello chose a vocation
as an artist-calligrapher. In the period from 1875-1940 this occupation became known as engrossing.
It was a continuation of the artwork of European monasteries and carried over
to the United States by imitation. Mr. Costello became a talented and prolific
engrosser in traditional styles; he was able to effectively adopt early 20th
century lettering trends and also refine his own trademark techniques. His
name, P W Costello, was displayed in column ads in Scranton, PA telephone books
under the heading Engrossers.
Engrossing, as it applies to
calligraphy, means to add beauty to the written letter forms A-Z. The traditional
method involved use of a large capital letter in the upper left of a large
document. This single letter immediately became the object of the viewer’s eye.
The first letter of the word, Whereas, In Memoriam, or This Award is Given To,
appeared much larger than the letters that followed. Mr. Costello would add
colors such as purple, vermillion, or dark blue to highlight the outline of the
large letter, or its inner parts. Gold leaf, applied painstakingly with brush
and glue, added significance and aesthetic appeal to the heading.
Engrossed by
PW Costello
Often the document was large,
18 x 24” or more, with all four borders illuminated with griffins and goblins, or
more plainly with vines and filigrees. These forms were often modeled after
those found in library collections of medieval literature. An example of
medieval influence was the common use of white vines to embellish the
surrounding and inner, open areas of a letter.
In his engrossings, Mr.
Costello combined artistic embellishment with traditional letter forms of
calligraphy. He also created his own imaginative styles of lettering that added
variety and enhanced eye appeal. He often used Old English lettering in the
headings, followed by German Text or simpler legible words formed with his
calligraphic pen nib, such as the Speedball C-6 in a straight penholder. It’s
likely that his repertoire of nibs, in a wide range of sizes, included the
Soennecken from Germany and England. In some of
Mr. Costello’s work that I have seen he used as many as ten or more
'fonts' to create a most inventive document.
Mr. Costello's use of color was
not limited to the primary colors. He loved to use varying shades of Payne's
Gray to outline his calligraphy. Payne's Gray is a lighter hue of black and
worked effectively for him in adding depth to the page. In his color work, that
included reds and blues, he would dimple minute points and fill those dimples
with gold. The careful viewer would notice these little things and wonder how
he did it. In using gold leaf to fill the voids of outlined letters he would
additionally incise engravings with a rounded-end burnishing tool.
Engrossed by
PW Costello
His use of both simple and
intricate color showed his depth of skill in creating master-pieces using the
common alphabet. His expertise at incorporating historic engrossing designs
from two to five centuries earlier and perfecting a unique artistic style,
attracted the attention of a broad range of public and commercial businesses.
He produced elaborate 'resolutions' for several U.S. presidents, congressmen,
labor leaders, mayors, bishops and other men of importance within his local
community and throughout the Northeast. For nearly 50 years he devoted his
career as a master artist to honoring the lives of other men through the
embellished word.
PW Costello
drawings of Al Jolson and Laura Keene
The Passing of a Great Man & Artist
After five years of illness,
Patrick W. Costello died on May 20, 1935. He was 69. Several months after his
death, The Educator honored PW by
publishing a commemorative edition, which included a cover photo and this
excerpt taken from the obituary:
“Mr. Costello was one of the best friends The
Educator ever had. He was a regular contributor until about three years ago
when ill health called a halt to his activities. P. W. Costello gained the love and admiration
of the penmanship profession by his unselfish and untiring efforts to help
others in the profession, for his carefully planned lessons, his masterful
examples of engrossing and pen and ink drawings. His work is studied by both students and
professionals. In his death we have lost a great engrosser, illuminator and pen
artist. His work is done, but his masterpieces will live for future
generations." [The Educator
- September, 1935]
The Educator,
September 1935 Edition
This excerpt is from an
editorial published in The Scranton Times
the day following PW’s death. It captures the genuine affection and admiration
of the local community:
“Mr. Costello was
possessed of the soul of the poet and the artist. Even in the nineties [1890s]
when he was in politics, which are calculated to harden a man against the
beauties of the world, he dreamed his dream – and out of that dream grew an art
that made him famous throughout Northeastern Pennsylvania. [He] was a great
artist, a lover of beautiful things – but better still, he was a lover of his
fellow man, and hundreds of them, who treasure his work and who admire his
character, will mourn his departure…” [Editorial, The Scranton Times – May 21, 1935, p. 8]
Proceed to the PW Costello
Gallery Page
Return to Zanerian.com Homepage